To explain this trend in Stuart’s sales, Sabretooth gives his opinion on NFT’s speculation premium. He is still trying to figure out his own place in the NFT world. Despite his large Instagram following and his Twitter account, it is not the case. He took a couple of months break and then posted pieces that were popular on Instagram and Twitter. He then sold his first piece and continued to sell really well. Stuart explains how previous to his first sale, he did not know how cryptocurrency worked. Kizu discusses how successful artists have a bigger following and others do not have that recognition. With plugins and addons, Stuart tries to learn as many tools as he can to get his ideas across. Beeple uses Cinema 4D with Octane and Stuart really started to learn it then. Then in late 2015, he came across Beeple’s Everydays. When Octane came out for Cinema 4D, he challenged himself to learn all there was about the software. Octane Render would take a significant amount of time. Stuart landed on Cinema 4D because it is fairly fast and an easy user interface.
Sabretooth asks if Stuart sees the tools as what he can do with them or seeks out tools to create what he wishes to create. Stuart started out using Maya 3D, the 3Ds Max, and now Cinema 4D. Music is a large contributing factor to his art. Stuart explains that he imagines a universe where all creatures and people all live in the same realm. Kizu asks if there are any influencers that have remained consistent in his work. Stuart’s work is very futuristic with an utopian or dystopian feel and pairs with music bands. Stuart started to join the NFT world because of the crazy money currently being made. Sabretooth starts by asking Stuart how he started with NFTs. Episode interview with Stuart Lippincott, find his twitter and SuperRare.
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